Notes from Arden
“So here goes: a variation of what I presented Saturday night – the complete history of Los Angeles theater (unabridged) in 15 minutes.”
“I always felt like playwriting was the thread through all of it,” Shepard said in 2011. “Says Shepard, ‘Theater really when you think about it contains everything. It can contain film. Film can’t contain theater. Music. Dance. Painting. Acting. It’s the whole deal. And it’s the most ancient. It goes back to the Druids. It was way pre-Christ. It’s the form that I feel most at home in, because of that, because of its ability to usurp everything.'” — BY VANESSA CATE
Got It Covered
“The case, on the face of it, is pretty simple,” Scott Guy told Stage Raw. “We’re asking to be removed from the Do Not Work list. We’re asking to be recognized as a membership company.” BY PAUL BIRCHALL
“Generally speaking, your ability or inability to raise 20% of your goal is an excellent indicator of your overall fundraising capacity. For example, if you can only raise $1,600 in foundational gifts then consider lowering your campaign from $10,000 to $8,000 to keep the 20% ratio.” — BY CORBETT BARKLIE
Ask Corbett a Question!
Have a question about Los Angeles theater and don’t know who to ask? We are now accepting submissions for an upcoming new section aimed to answer you most burning theater-related questions.
“The Assembly’s production of ‘Home/Sick,’ a reimagining of the Weather Underground experience from 1969 to 1978, now running at the Odyssey Theatre, may play for different audiences as a cautionary tale, an exasperating inspirational example, or even (sentimentality be damned) nostalgia. How could I help but smile when the activists chant Mao’s “Dare to Struggle! Dare to Win!” the identical year we used the same axiom as our college football cheer.”–BY MYRON MEISEL
The Summer of our (Dis)Content
“The clock is ticking! Beginning December 14th, 2016, despite the Los Angeles community’s urging and a lawsuit served on Actors’ Equity Association by Equity members and producers, Equity will impose new rules and regulations which will change theatre in Los Angeles forever. This change will take away most of the opportunities for Equity actors to work in intimate theatre in Los Angeles and destroy Los Angeles Intimate theatre as we know it.” — PRO99 and the “Ed Asner, et al v. AEA” PLAINTIFFS