FEATURESLatestNotes From Arden One Critic’s Journal: LA Theater in 2023 Land of Idiots By Steven Leigh Morris There’s almost nobody I’ve spoken with who doesn’t…Steven MorrisDecember 28, 2023
FEATURESINTERVIEWS AND ESSAYSLatest Three Views on AI, and Its Impact on the Arts If we turn the arts over to AI, what is it that makes us human?…Steven MorrisNovember 22, 2023
FEATURES Indecent: Reflections on Paula Vogel’s Play at the Ahmanson June 28, 2019 INDECENT Paula Vogel’s play comes to the Ahmanson from Broadway By Stephen…Steven MorrisNovember 16, 2023
FEATURESINTERVIEWS AND ESSAYS White Nights, Black Paradise: The Play Sikivu Hutchinson’s Play about Jonestown, 1978, as told through the voices of Black Women By…Steven MorrisNovember 8, 2023
FEATURESNotes From Arden A Bridge Over Troubled Water in Kosovo An International Theater Festival Ponders Consequences of Bullying and Marauding By Steven Leigh Morris …Steven MorrisNovember 7, 2023
FEATURESINTERVIEWS AND ESSAYS Self-Discovery & Healing Through a Personal Relationship with Theater I Am HereBy Socks Whitmore This essay is provided in partnership with The Unusual Suspects…Steven MorrisOctober 30, 2023
FEATURESINTERVIEWS AND ESSAYS An Actor’s Journey from Iran to LA Notes From the First Iranian Female Admitted to USC’s MFA Acting ProgramBy Elmira Rahim This…Steven MorrisOctober 30, 2023
FEATURESINTERVIEWS AND ESSAYS Pop Psychology and Pop Musicals Why Theater is Essential for a Young Therapist-in-TrainingBy Taylor Kass Cliffton Hall, Deedee Magno Hall…Steven MorrisOctober 30, 2023
FEATURESINTERVIEWS AND ESSAYS Theater as an Antidote to Despair A Personal Journey from Darkness to the StageBy V Cate This essay is provided in…Steven MorrisOctober 29, 2023
FEATURESNotes From Arden The People Have Spoken, Part 3 Our audiences on festivals, and on our digital era By Steven Leigh Morris This…Steven MorrisOctober 21, 2023