Foreclosure or Yelling at Women Walking Their Dogs
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"For so steeped has our culture become in Beckett’s brand of nihilist vaudeville, that his once forbidding obscurity has flowered into ironic delight as we embrace the ironies of forlorn despair with enthused empathy." -- by MYRON MEISEL
'Movement and text is in equal parts. I mean we’re talking and moving pretty much the whole time. In terms of why people are excited, I mean, if we just say, “Okay. Why are people excited about making work and seeing work where there isn’t seating and a stage?” If we just take it as that. I think the answers are kind of exciting. I guess what I think first of all is that this is the screen age, and we are, I think, losing a bit of what it is to be human people with skin and muscles and sweat and tears and blood — the experience of having touch and proximity, really like an intimate experience among strangers with just human interchange: eye contact, touch, whispering, breath, and to be so close to a lot of heightened emotion and heightened physicality, really close. I feel like maybe in the digital age, there is a craving for that. I hope.' -- By Bill Raden