Notes from Arden
When he was in his early 50s, Roger Crane, an unproduced playwright, couldn't get his work taken seriously in the U.S. When he sent his play "The Last Confession" (without an agent) to England's National Theatre, he got all kinds of promising feedback. Britain eventually embraced the play. It's now receiving a world tour.
Ric Montejano (1949-2014)
SHELLY PARSONS remember actor-director-activist Ric Montejano: "For years Ric and his foundling Chihuahua-mix dog Sparky were memorable figures on Silver Lake Blvd., especially at Ric’s curbside Saturday sale of eclectic lamps. This was a “must stop” for local shoppers who remembered Ric as proprietor of Mohawk’s, a mid-century collectables store off Sunset Blvd. in the 1990s, and appreciated both the goods and the camaraderie."
Why the Fringe
By BILL RADEN Why would any performer or company in their right minds enter the Hollywood Fringe fray, where the biggest challenge can be simply getting noticed? To find out, Stage Raw reviewers conducted an informal survey of show-makers and audience members.
Letters From the Fringe (3)
PAUL BIRCHALL'S latest Fringe musings lead him, and us, to "The Werewolves of Hollywood Boulevard" and "Bronies: The Musical"
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