Erika Soto and Bernard K. Addison in All's Well That Ends Well at A Noise Within. (Photo credit: Craig Schwartz)
All’s Well That Ends Well
The weird sisters (Yvonne Robertson, Libby Letlow, and Sara Neal) confront Macbeth (Walter Gray IV) with a troubling prediction in Macbeth at the Long Beach Shakespeare Company. (Photo by James Tweet.)
Macbeth
Moscow Calling
Yesterday, I received a text from Moscow. “Stevka. Just to let you know what people think about the situation here. We hate this decision. We all think this is against the law. And people here are very scared what he [Putin] will do next. People don’t support this at all.”
L-R: Jonathan Higginbotham, Elizabeth Stahlmann, Chalia La Tour, Jakeem Dante Powell and Devin Kawaoka
Photo by Craig Schwartz
Slave Play
Slave Play at the Taper
Though it streaks across the theatrical firmament like a comet, its tail is more luminous than the substance of the object itself -- an object that rattles and prattles along its trajectory, unsure of whether it wishes to be regarded as an object of insight, of provocation, of titillation or of mystification. It can be seen as any or all of those descriptions. Such ambiguity is not necessarily a virtue.
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