Dan Berkowitz Remembered

"Dan Berkowitz was a force of nature. There's really no other way to describe him, and I'm not even sure that does him justice. When I was asked to write about Dan, with whom I co-chaired the Alliance of Los Angeles Playwrights (ALAP) for 15 years, honestly, I was overwhelmed. How do you even start to describe someone who did so much for so many?" -- Jonathan Dorf

Continue ReadingDan Berkowitz Remembered

Yes, You Can Be a Patreon

If you value what we do, you can become a Patreon subscriber of Stage Raw. A monthly donation. Whatever you can afford. And we’ll give you stuff in return. You’ll become part of our family. True, if you’re reading this, you’re already part of our family, but this way, you’ll get a place at the dinner table.

Continue ReadingYes, You Can Be a Patreon

Veteran L.A. Critic Myron Meisel Is Now Seriously Pissed Off

"Like Rome to Carthage, Equity’s new Agreement will sow the ground with salt as to render it infertile ever after. Without those talents, the aesthetic glory that is our local theater scene will wither as if in time-lapse photography virtually overnight. This conflict was conceived, generated, and has been unremittingly conducted in bad faith, and no amount of persuasion, goodwill or parsing of the opposition’s deliberate and dishonest arguments or contorting contentions is going to alter the outcome." -- BY MYRON MEISEL

Continue ReadingVeteran L.A. Critic Myron Meisel Is Now Seriously Pissed Off

Pro99 and Plaintiffs Issue Joint Statement on AEA Litigation

"The clock is ticking! Beginning December 14th, 2016, despite the Los Angeles community’s urging and a lawsuit served on Actors’ Equity Association by Equity members and producers, Equity will impose new rules and regulations which will change theatre in Los Angeles forever. This change will take away most of the opportunities for Equity actors to work in intimate theatre in Los Angeles and destroy Los Angeles Intimate theatre as we know it." -- PRO99 and the "Ed Asner, et al v. AEA" PLAINTIFFS

Continue ReadingPro99 and Plaintiffs Issue Joint Statement on AEA Litigation

A Q&A with Annie Saunders of The Day Shall Declare It

'Movement and text is in equal parts. I mean we’re talking and moving pretty much the whole time. In terms of why people are excited, I mean, if we just say, “Okay. Why are people excited about making work and seeing work where there isn’t seating and a stage?” If we just take it as that. I think the answers are kind of exciting. I guess what I think first of all is that this is the screen age, and we are, I think, losing a bit of what it is to be human people with skin and muscles and sweat and tears and blood — the experience of having touch and proximity, really like an intimate experience among strangers with just human interchange: eye contact, touch, whispering, breath, and to be so close to a lot of heightened emotion and heightened physicality, really close. I feel like maybe in the digital age, there is a craving for that. I hope.' -- By Bill Raden

Continue ReadingA Q&A with Annie Saunders of The Day Shall Declare It

SITI Company’s Ellen Lauren and J. Ed Araiza Bring Rigor and California’s Great Depression to A Midsummer Night’s Dream

"In a sense, Lauren’s production is merely the most recent — and the most public —artistic reverberation stemming from a fundamental shakeup to UCLA TFT’s approach to stage training that occurred three years ago. According to Araiza, the school decided to break with the old paradigm of the Americanized version of Stanislavskian naturalism — the so-called 'Method' —that was pioneered by director Konstantin Stanislavski at the Moscow Art Theatre at the beginning of the 20th century and that continues to dominate university theater departments in the US." -- by VANESSA CATE

Continue ReadingSITI Company’s Ellen Lauren and J. Ed Araiza Bring Rigor and California’s Great Depression to A Midsummer Night’s Dream

Pussy Riot’s Maria Alyokhina on Making Art That Matters, No Matter the Cost

"'Do you believe in God?' asked Goldman. Alyokhina paused, carefully forming the perfect response. 'I think that Church in Russia already has nothing in common with Christianity,' she reflected". -- by VANESSA CATE

Continue ReadingPussy Riot’s Maria Alyokhina on Making Art That Matters, No Matter the Cost

Imagining the Other: How Through the Looking Glass connects communities through live storytelling.

“Ultimately,” Quickley said, “what I want is a model that allows them to bring in everything that exists in their world…all the things that live and breathe in the world that they’re in. By allowing people to bring in the totality of their thoughts — not just the positive ones, not just the ones we reward you for socially but to bring in everything … and allow them over the course of the project to decide ultimately what has value and what doesn’t." -- by JESSICA SALANS

Continue ReadingImagining the Other: How Through the Looking Glass connects communities through live storytelling.

Hearing Weariness and Frustratation in NoHo, LA STAGE Alliance Looks Forward

"'They say theater never dies. But that’s not true, it really does die,' Morris warned. 'Our theater audiences are aging Caucasians, and they’re dying.' Morris reaffirmed the importance of cultivating diversity on L.A. stages to acknowledge and reflect a more diverse audience, as well as being proactive in bringing in new generations." -- By VANESSA CATE

Continue ReadingHearing Weariness and Frustratation in NoHo, LA STAGE Alliance Looks Forward

Funding Arts Journalism: Stage Raw’s Second Symposium on Arts Coverage

On Friday, ESPN announced the dismantling of its popular sports and culture site “Grantland,” eliciting shock and disappointment on the web. The move comes a few weeks after ESPN cut 300 jobs, reportedly to make up lost cable subscription revenue. It is, unfortunately, only the latest sobering development to challenge the financial viability of arts coverage. BY JENNY LOWER.

Continue ReadingFunding Arts Journalism: Stage Raw’s Second Symposium on Arts Coverage