Paul Birchall’s Got it Covered: From Visualizing the Invisible, to the Ovations, to Annenberg’s New Leader, and More

The Wallis Annenberg, which certainly must be pleased about the success of Deaf West Theater’s Spring Awakening, as it played there a few months ago in its intermediate phase from 99seat stage to mid-size, has named its first artistic director and his resume sounds really intriguing. American Theatre Magazine reports that the new AD, Paul Crewes, has been the artistic and creative director of Kneehigh Productions in the UK, which produces compelling and imaginative touring productions, some of which have played the Wallis in previous seasons.

Continue ReadingPaul Birchall’s Got it Covered: From Visualizing the Invisible, to the Ovations, to Annenberg’s New Leader, and More

Paul Birchall’s Got it Covered: From Brian Kite at UCLA to an Aborted NYC Mikado to Bloomberg Foundation Largesse to the 20 Most Produced Playwrights of 2015-16

Brian Kite, producing artistic director of La Mirada Theatre for the Performing Arts, is stepping down to take over the Department Chair at the UCLA School of Theater, Film and Television. Still quite a young artist, Kite has already had an illustrious career, with credits from the Actors Co-op to the French Woods Festival in New York (where he served as director of theater programs for more than seven years) to the Geffen, and he has certainly had played a strong leadership role at La Mirada – not to mention is position of board chair at Los Angeles Stage Alliance.

Continue ReadingPaul Birchall’s Got it Covered: From Brian Kite at UCLA to an Aborted NYC Mikado to Bloomberg Foundation Largesse to the 20 Most Produced Playwrights of 2015-16

Paul Birchall’s Got it Covered: From Monday Nights at Rogue Machine to Awake and Sing! to Jennie Webb

Odets’s play is a bit of a standard amongst theater folks of a vintage lefty sensibility — and there have been many productions of it between these two Odyssey stagings — but given the current economic iniquities, as well as the sentimental reasons for honoring a theater company that has been able to make a go of it for so many decades, this should be a show well worth coming out for.

Continue ReadingPaul Birchall’s Got it Covered: From Monday Nights at Rogue Machine to Awake and Sing! to Jennie Webb

Paul Birchall’s Got It Covered: Paul Verdier, Dakin Matthews, A.J. Schoenberg and Stephen Sachs

Dakin Matthews, an Equity actor of indisputable professional renown and whose career spans both Equity productions like The Audience on Broadway and 99-seat shows with The Antaeus Company, is perhaps the first union member to step up and take a pin to the bloated shallowness of the “ask if it’s Equity” campaign. In a letter posted to the Pro99 Facebook page, and already widely circulated through the net, Matthews interprets the “Ask if it’s Equity” campaign as the cynical catch-up PR operation it is.

Continue ReadingPaul Birchall’s Got It Covered: Paul Verdier, Dakin Matthews, A.J. Schoenberg and Stephen Sachs

Paul Birchall’s Got It Covered: Letter to Shindle, Diversity, and Revolving Door A.D.’s

This period of quiet is, in fact, an AEA tactic: Even the most casual observer instantly recognizes that the Union is hoping to run out the clock for when their new minimum wage policy starts next year, and it is to their advantage to just stay quiet, do nothing, and wait for their new regulations to take place

Continue ReadingPaul Birchall’s Got It Covered: Letter to Shindle, Diversity, and Revolving Door A.D.’s