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Notes from Arden
Featured Column
Sounds of Riddance
BY BILL RADEN
Meg Foster may be best known for her haunting, almost supernaturally unsettling, milky blue eyes, a quality that has made her a natural fit for horror, science fiction and thrillers in film work that spans three decades and includes Sam Peckinpah’s The Osterman Weekend (1983) and John Carpenter’s Burroughsian alien-invasion classic, They Live (1988), and, more recently, Rob Zombie’s rock “n’ roll horror film, The Lords of Salem (2013).
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