Mutant Olive 2.0
Reviewed by Julyza Commodore
Hudson Guild Theatre
Through April 11
RECOMMENDED
The minimally designed, uncredited set consists of a few chairs and a ladder. This is an indication that perhaps the audience is about to see a performance so enthralling that there is not much needed. Mitch Hara’s Mutant Olive 2.0 begins with an entrance that immediately breaks the fourth wall, establishing quickly what kind of quirky, hysterical and large personality is being introduced.
Adam Astra (Mitch Hara) is an actor running late for an audition for Hamilton: Unplugged — as he rushes in, he is on the phone with someone soon realized as an important fixture of his story, his father. Although never being seen, Adam Astra’s parents are a central part of the telling of his story. With only being able to see Adam Astra, one would think it would be difficult to imagine each character that is only mentioned. However, the writing and performance is done so well that it feels as though anyone mentioned is someone that you can visualize; each character feels alive and in attendance in a way. This is simply because Hara has written a piece that he has thrown himself into, not holding back whatsoever. His performance is both energetic and freeing as he details his childhood and experiences with his parents. He gives life to the words by not holding himself back.
With direction by Carlyle King, there seems to be a great collaboration between writer/performer and their director where each understands each other. It is clear due to how Hara flourishes onstage as time passes. Although there isn’t an oversaturation of lighting or graphics, they are important to the story by adding levels of liveliness to the show. With lighting and sound by Steve Pope, the audience is brought into the story that much more. Whether it be a frequent call from his father or disco music that he dances to, it sets the tone and elevates the performance.
Through the vehicle of an audition, the audience ends up being taken on a journey of a person who has allowed their experiences to fully shape them, and it is entertaining to say the least — deeply personal and hilarious.
Hudson Guild Theatre, 6539 Santa Monica Blvd, Hollywood; Tues., 8 pm; through Apr. 11. https://onstage411.com/newsite/show/play_info.asp?show_id=6293. Running time: one hour and 30 minutes with no intermission.
