Paul Birchall’s Got it Covered: The Ovations, SLM and Stage Raw, More Changes at LA Weekly, and Jerry Charlson
However, one thing I am assured of is that Stage Raw will continue its venerable tradition of almost two years. Morris says he’s withdrawing from the day-to-day operations of the website – assigning, editing, posting, etc – and will delegate those roles to staff, and will guide the more general direction of Stage Raw from afar. --BY PAUL BIRCHALL
A Note to the L.A. Stage Community
In the few weeks, I’ll be working on a transition team for Stage Raw, which will continue to thrive and serve. I won’t be working on the day-to-day operations, but I’ll be watching from a distance, and lending a guiding hand from that distance.-- BY STEVEN LEIGH MORRIS
Sights Pacific: “Hopscotch” and “Steel Hammer”
"Hopscotch"'s meta-significance may lie in its unabashed embodiment of an anti-operatic happening, shorn of opera’s traditional barriers of social class and pretension (as well as a Happening’s reliance on spontaneity and chance). Yet most of the various innovations can be viewed as effectively a brazen checklist of grant-magnet attributes: prolix profundities, expanding audience appeal to younger demographics, technologically savvy, community-based, environmentally grounded, academically au courant theoretical underpinnings. -- BY MYRON MEISEL
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