Cruising the Fringe
Five years in, what does the Hollywood Fringe actually mean? Plus reviews of "The Divine Teat," "Women," "The Perfect Lover," "Fancy: Secrets From my Bootydoir," "Wearhorse," "The Best of Craigslist: Live!" and "Linden Arden Stole the Highlights"
Moving Stoneface from Sacred Fools Theater to the Pasadena Playhouse
In his first-person account, director JAIME ROBLEDO describes the excitement and challenges of moving his production of Vanessa Claire Stewart's bioplay about Buster Keaton, "Stoneface," from its birthplace at the 99-seat Sacred Fools Theater Company in east Hollywood to the mid-size Pasadena Playhouse.
Digital Dionysus
In his second column on theater-beyond-theater-spaces, TERRY MORGAN reviews National Theatre Live's broadcast of "The Curious Incident of the Dog in the Night-Time" -- also being performed on Broadway this fall. It screens June 22 at James Bridges Auditorium at UCLA
Letter From the Fringe, June 19
In his second "Letter From the Fringe," PAUL BIRCHALL ruminates on what the Hollywood festival signifies, and reviews "Jesus H," "Survivor's Guilt," and "Short Plays for All Your Problems."
Neal Weaver’s Review of Hamlet Max
"Hamlet Max" in the Hollywood Fringe Festival, at Schkapf through June 24, reviewed by NEAL WEAVER
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