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The Second Annual Stage Raw Theater Awards: A Report
By Steven Leigh Morris
Among the big winners at Monday night’s Second Annual Stage Raw Awards was the LA LGBT Center, which scooped up a lion’s share of awards in seven categories for its production of Hit the Wall – a musical dramatization of the Stonewall Riots. Los Angeles Theatre Center was packed solid with 500 attendees for the show, for the second time in two years. Stage Raw took over the 36-year-year mantle in 2015 from the discontinued L.A. Weekly Theater Awards, honoring productions in theaters of up to 99-seats.
The hosts were Independent Shakespeare Co.’s resident Teutonic vaudevillians Dr. Pinch and the Pinchtones (with a female burlesque artist in tow). They had the house swaying and toe-tapping with their winking early 20th century vocal stylings (that sometimes recalled The Andrew Sisters) backed up by piano, ukulele and snare drums.
There were two striking tone-shifts: first, the arrival of Queen of the Angels Leo Garcia in a facetiously regal procession that included his arrival in red robes and mask while hoisted by a bevy of Queen Carriers, one scantily attired, another farting out a trombone welcome. Garcia was being honored for his tenacity and skill while serving as artistic director for Highways in Santa Monica – recognition that his social media supporters have since described as “long overdue.”
The other turn was in the direction of sincerity and community, as Skylight Theatre Company Artistic Director Gary Grossman accepted the Career Achievement Award for his decades- long support of new work at various intimate L.A. theaters. He was also recognized for his continuing efforts to protect professional acting in the 99-seat theater scene – the city’s most robust incubator of new work — from plans that would all but ensure its diminishment, if not its gutting. Grossman was backed up on the stage by other lions of the cause: The Rogue Machine’s John Flynn (who introduced Grossman), The Matrix Theatre’s Joe Stern, Sacred Fools Theatre’s Vanessa Stewart and The Fountain Theatre’s Simon Levy.
In a sometimes tearful and lucid speech punctuated by self-deprecation, autobiography and humor (memories of the Cast Theatre’s Ted Schmitt dumpster-diving outside his theater to ensure that nothing that his theater might one day use in a production not yet chosen, had not been tossed out), Grossman settled onto the notion that his life’s purpose was embodied in the L.A. stage community, to whom and for which he was deeply grateful.
Grossman also demonstrated the kind of wisdom that defines leadership: commitment to a clear purpose while embracing the opposition: “[Actors’ Equity Association] is not the enemy,” he said, referring to the instigators of the latest assault on 99-seat theaters in Los Angeles. Instead, he attributed the current dispute to a kind of cultural divide, based on differing perceptions, that can and must be bridged.
He concluded his speech with a stirring crowd sing-along of “You Gotta Have Heart” from Damn Yankees – an anthem from the musical he first performed in as a child, and which has remained one of his guiding principles.
The continuing viability of the Stage Raw Theater Awards was ensured by charging a baseline ticket price of $25, and with the generosity of LATC which essentially donated its lobby and its large theater to the community for this ceremony, the Awards party was able to meet its costs. These costs included the theater’s technicians, event insurance, house and box office staff, the printing of the plaques and certificates, and reimbursement of expenses to the hosting company, which volunteered its time. With a VIP $100 ticket, which included a pre-show reception, Stage Raw was also able to raise a modest fund to continue paying its reviewers. The trick for next year is to find a sponsor to cover the post-show buffet: Neither a sponsor nor the buffet showed up this year.
Even so, the post-show mingling (enhanced by LATC’s lobby bar, pianist Jason Olson and vocalist Claire Refilj), which had started before 10 p.m., was still going strong after 11, when I left the hall.
A slide-show will be available on stageraw.com late Thursday.
The show was dedicated to the memories of Norman Scott and Steve Julian.
Twenty-nine awards were distributed in two-hours and 10 minutes. The recipients are as follows:
FIGHT CHOREOGRAPHY
Edgar Landa – Hit the Wall – Los Angeles LGBT Center
VIDEO/PROJECTION DESIGN
Anthony Backman and Jim Pierce – Astro Boy and the God of Comics – Sacred Fools Theater
SOUND DESIGN
Danny Echevarria – The Temptation of St. Anthony – Four Larks
LIGHTING DESIGN
Jared A. Sayeg – Picnic – The Antaeus Theatre Company
COSTUME DESIGN
Kimberly Freed – Entropy – Theatre of NOTE
ORIGINAL MUSIC
Jake Broder, Miravel, Sacred Fools Theatre Company
Anna Waronker & Charlotte Caffey – Hit the Wall – Los Angeles LGBT Center
CHOREOGRAPHY
Angela Todaro – Jesus Christ Superstar – DOMA Theatre Co at the MET Theatre
MUSICAL DIRECTION
Joe Lawrence – Sweeney Todd – Kelrik Productions at the El Portal Theatre
Chris Raymond – Jesus Christ Superstar – DOMA Theatre Co at the MET Theatre
SET DESIGN
Wilson Chin – Anna Christie – Odyssey Theatre Ensemble
TWO PERSON PERFORMANCE
Ed F. Martin and Michelle Azar – My Barking Dog – The Theatre @ Boston Court
LEADING FEMALE PERFORMANCE
Zoe Perry – Anna Christie – Odyssey Theatre Ensemble
SUPPORTING FEMALE PERFORMANCE
Ferrell Marshall – Enron – The Production Company at The Lex Theatre (T L Kolman and August Viverito)
SUPPORTING MALE PERFORMANCE
Robert Gossett – Watching O.J. – Ensemble Studio Theatre, Los Angeles
LEADING MALE PERFORMANCE
Matthew Hancock – Hit the Wall – Los Angeles LGBT Center
MALE COMEDY PERFORMANCE
Michael Shepperd – Bootycandy – Celebration Theatre
FEMALE COMEDY PERFORMANCE
Julanne Chidi Hill – Bootycandy – Celebration Theatre
SOLO PERFORMANCE
Erica Gimpel – Sister – MPE Productions, Sahara Vision, and The Bootleg Theater
ADAPTATION
Stephen Sachs – Citizen: An American Lyric – The Fountain Theatre
PLAYWRITING
David McMillan – Watching O.J. – Ensemble Studio Theatre, Los Angeles
PRODUCTION DESIGN
Hit the Wall – Los Angeles LGBT Center
COMEDY ENSEMBLE
Bootycandy – Celebration Theatre
ENSEMBLE
Hit the Wall – Los Angeles LGBT Center
COMEDY DIRECTION
Jaime Robledo – Rio Hondo – Theatre of NOTE in association with Opiate of the Masses
DIRECTION
Ken Sawyer – Hit the Wall – Los Angeles LGBT Center
MUSICAL OF THE YEAR
Sweeney Todd – Kelrik Productions at the El Portal Theatre
REVIVAL PRODUCTION OF THE YEAR (of a 20th- or 21st-century work)
Anna Christie – Odyssey Theatre Ensemble
PRODUCTION OF THE YEAR
Hit the Wall – Los Angeles LGBT Center
Steven Stanley
April 28, 2016 @ 8:30 pm
I loved the evening, but please, next year be sure that presenters know how to pronounce the names of the nominees. When I was honored to be a presenter at the very last LA Weekly Awards, I went so far as to contact a couple of the nominees personally to make sure I would do them the courtesy of not mangling their names. I cringed far too many times, and these are Shakespearean actors who should know better than to not do their homework.