I couldn’t disagree more. Michael Shaw Fisher’s SKULLDUGGERY should rapidly take its rightful place next to both FORTINBRAS and ROSENCRANTZ AND GUILDENSTERN ARE DEAD as an illuminating examination of the motivations and machinations surrounding the emotionally reactionary actions of one of drama’s most revered (and least understood) characters. Only with music.
I couldn’t disagree more. Michael Shaw Fisher’s SKULLDUGGERY should rapidly take its rightful place next to both FORTINBRAS and ROSENCRANTZ AND GUILDENSTERN ARE DEAD as an illuminating examination of the motivations and machinations surrounding the emotionally reactionary actions of one of drama’s most revered (and least understood) characters. Only with music.