{"id":5489,"date":"2014-11-20T17:09:58","date_gmt":"2014-11-20T17:09:58","guid":{"rendered":"https:\/\/stageraw.com\/oldStageRaw\/?p=5489"},"modified":"2014-11-20T17:30:32","modified_gmt":"2014-11-20T17:30:32","slug":"on-kharms-and-wilson-in-la","status":"publish","type":"post","link":"https:\/\/stageraw.com\/oldStageRaw\/on-kharms-and-wilson-in-la\/","title":{"rendered":"On Kharms and Wilson in L.A."},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p>Myron Meisel has been tracking the work of enfant terrible Robert Wilson in L.A. since the late 1970s. Says Meisel, Wilson&#8217;s recent staging of &#8220;The Old Woman&#8221; &#8212; adapted from the writings of Soviet dissident Daniil Kharms, and starring Willem Dafoe and Mikhail Baryshnikov, presented by UCLA&#8217;s Center for the Art of Performance &#8212; was Wilson at his best. Meisel explains why. <\/p>\n","protected":false},"author":2,"featured_media":4945,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_custom_body_class":"white-bg","_custom_post_class":"","footnotes":""},"categories":[52],"tags":[],"class_list":["post-5489","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-our-town","entry","has-media"],"acf":[],"_links":{"self":[{"href":"https:\/\/stageraw.com\/oldStageRaw\/wp-json\/wp\/v2\/posts\/5489","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stageraw.com\/oldStageRaw\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stageraw.com\/oldStageRaw\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stageraw.com\/oldStageRaw\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/stageraw.com\/oldStageRaw\/wp-json\/wp\/v2\/comments?post=5489"}],"version-history":[{"count":5,"href":"https:\/\/stageraw.com\/oldStageRaw\/wp-json\/wp\/v2\/posts\/5489\/revisions"}],"predecessor-version":[{"id":5500,"href":"https:\/\/stageraw.com\/oldStageRaw\/wp-json\/wp\/v2\/posts\/5489\/revisions\/5500"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/stageraw.com\/oldStageRaw\/wp-json\/wp\/v2\/media\/4945"}],"wp:attachment":[{"href":"https:\/\/stageraw.com\/oldStageRaw\/wp-json\/wp\/v2\/media?parent=5489"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stageraw.com\/oldStageRaw\/wp-json\/wp\/v2\/categories?post=5489"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stageraw.com\/oldStageRaw\/wp-json\/wp\/v2\/tags?post=5489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}