{"id":9570,"date":"2016-06-14T22:17:43","date_gmt":"2016-06-14T22:17:43","guid":{"rendered":"https:\/\/stageraw.com\/oldStageRaw\/?p=9570"},"modified":"2016-06-14T23:32:30","modified_gmt":"2016-06-14T23:32:30","slug":"hedda-gabler-and-42nd-street","status":"publish","type":"post","link":"https:\/\/stageraw.com\/oldStageRaw\/hedda-gabler-and-42nd-street\/","title":{"rendered":"Hedda Gabler and 42nd Street"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p>&#8220;Heinrik Ibsen\u2019s Hedda Gabler remains a titanic creation that still demarcates the theater\u2019s passage into modernity. Its protagonist is the embodiment of contradiction, from the diamond-like clarity of her individuality to her ultimately inscrutable motives. Does she represent the rudiments of an emerging feminist consciousness? (She\u2019s blazingly complex and refuses to conform to prescribed gender roles.) Or does she represent a twisted male perception of the confounding power of female assertion?&#8221; &#8212; BY MYRON MEISEL <\/p>\n","protected":false},"author":2,"featured_media":7492,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_custom_body_class":"white-bg","_custom_post_class":"","footnotes":""},"categories":[62],"tags":[],"class_list":["post-9570","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-around-town-myron-meisel","entry","has-media"],"acf":[],"_links":{"self":[{"href":"https:\/\/stageraw.com\/oldStageRaw\/wp-json\/wp\/v2\/posts\/9570","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stageraw.com\/oldStageRaw\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stageraw.com\/oldStageRaw\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stageraw.com\/oldStageRaw\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/stageraw.com\/oldStageRaw\/wp-json\/wp\/v2\/comments?post=9570"}],"version-history":[{"count":3,"href":"https:\/\/stageraw.com\/oldStageRaw\/wp-json\/wp\/v2\/posts\/9570\/revisions"}],"predecessor-version":[{"id":9575,"href":"https:\/\/stageraw.com\/oldStageRaw\/wp-json\/wp\/v2\/posts\/9570\/revisions\/9575"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/stageraw.com\/oldStageRaw\/wp-json\/wp\/v2\/media\/7492"}],"wp:attachment":[{"href":"https:\/\/stageraw.com\/oldStageRaw\/wp-json\/wp\/v2\/media?parent=9570"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stageraw.com\/oldStageRaw\/wp-json\/wp\/v2\/categories?post=9570"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stageraw.com\/oldStageRaw\/wp-json\/wp\/v2\/tags?post=9570"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}